Большой успех, который Анита Бейкер получила, выпустив альбом "Rapture", оказалась довольно восприимчивым к несколько менее привлекательному "Giving You the Best That I Got" - альбому весьма схожему с его предшественниками, но все же не столь хорошему, как "The Songstress" или "Rapture", . Вместо того, чтобы следовать зрелому настрою соул/поп-музыки "Rapture", компания Электра ориентировала продюсера этого альбома, Майкла Дж. Пауэлла на гарантированное попадание на вершину хит-парада с такими гладкими композициями, как "Just Because" (чьи гармонии напоминают работу продюсеров Jimmy Jam & Terry Lewis, но испытывает недостаток в элементах хип-хопа), "Priceless," и последующей "Good Love,". Большая часть музыки Бейкер содержала джазовые обертоны, но на подверженном влиянию бразильской музыки, "Good Enough," стиль боссановы и подражание манере исполнения Sarah Vaughan становится еще более очевидным - и говорит о том, что Анита Бейкер делает огромную ошибку, не записывая настоящий джаз.




Phonographic Copyright (p) – WEA International Inc.
Copyright (c) – WEA International Inc.
Manufactured By – TELDEC Record Service GmbH
Mixed At – Encore Studios
Mastered At – Bernie Grundman Mastering
Recorded At – Encore Studios
Recorded At – Yamaha International Recording
Recorded At – Sound Suite
Recorded At – Hitsville
Recorded At – TMF Studios
Recorded At – Producers Workshop
Recorded At – Gnome Studios
Published By – Silver Sun Music
Published By – Warner Bros. Music
Published By – Creative Music Entertainment
Published By – Bullsongs
Published By – Melaimee Music
Published By – All Baker's Music
Published By – Alexscar Music
Published By – Eyedot Music
Published By – Morning Crew Music, Inc.
Published By – Virgin Songs, Inc.
Published By – Hobo Railways
Published By – Maggie Ryder Music
Published By – Jadel Publishing Inc.
Published By – Cuddy Sounds
Published By – O'Hara Music
Published By – Texascity Music, Inc.
Published By – Avid One Music
Published By – Li'l Mama Music
Published By – Music Corporation Of America, Inc.
Published By – Good Single Ltd.
Published By – Rondor Music
Published By – Myake
Published By – Warner/Chappell Music, Inc.
Published By – Quince Music

Arranged By [Backing Vocals] – Alex Brown (tracks: B3), Anita Baker (tracks: B1), Perri Sisters* (tracks: A2), Valerie Pinkston Mayo* (tracks: A1, A3)
Arranged By [Strings] – Michael J. Powell (tracks: B3), Paul Riser (tracks: A1, A2), Robbie Buchanan (tracks: B3)
Art Direction – Carol Bobolts
Backing Vocals – Alex Brown (tracks: A1, A3, B3), Angel Edwards (tracks: A1, A3), Anita Baker (tracks: A4, B1), Carl Carwell (tracks: A1, A3, B3), Fred White (2) (tracks: B4), Laurie Perri* (tracks: B3), Lynne Fiddmont (tracks: B4), Marva King (tracks: B3), Perri Sisters (Laurie, Sharon, Darlene, Carol)* (tracks: A2), Roy Galloway (tracks: B4), Valerie Pinkston Mayo* (tracks: A1, A3)
Bass – Nathan East (tracks: A1 to A3, B1 to B3)
Coordinator [Production] – Sephra Herman, Tweed And Tominaga
Drums – Omar Hakim (tracks: A1 to A3, B2)
Engineer [2nd] – Milton Chan
Engineer [Additional] – Bruce Nazarian, Fred Law, Les Cooper (2), Tim Purvis
Engineer [Engineered By] – Barney Perkins
Executive-Producer – Anita Baker
Guitar – Donny Lyle* (tracks: A4), Michael J. Powell (tracks: A1, A2, A4, B1, B4), Paul Jackson Jr. (tracks: A1, A2, B1, B3)
Keyboards – Gary Taylor (tracks: A4), Nell Walker (tracks: B4), Patrick Moten (tracks: B4), Peter Schwartz (tracks: B1), Robbie Buchanan (tracks: A1, A2, B1, B3), Sonny Burke (2) (tracks: B4), Vernon Fails (tracks: A1 to A4, B2)
Percussion – Paulinho Da Costa (tracks: A1 to A3, B1, B2)
Photography By – Adrian Buckmaster
Piano – Bobby Lyle (tracks: A2), George Duke (tracks: A2)
Piano [Acoustic] – Sir Gant* (tracks: A3, B2)
Producer – Michael J. Powell
Saxophone – Dave Boruff* (tracks: B4), Gerald Albright (tracks: B2)
Synthesizer [Synclavier] – Joseph Vitarelli (tracks: A4)
Synthesizer [Synclavier], Programmed By – Bruce Nazarian (tracks: B1)
Synthesizer, Programmed By – David Boruff (tracks: A1, B4), Robbie Buchanan (tracks: A1, A2, B3, B4)
Trumpet – Chuck Findley (tracks: B4)

Ⓟ & Ⓒ 1988 Elektra / Asylum Records for the US and WEA International for the world outside the US.
Elektra / Asylum Records, a division of Warner Communications Inc.

Recorded at:
Encore Studio, Yamaha International Recording, Sound Suite, Hitsville, TMF, Producers I & II, Gnome Studios.
Mixed at Encore Studio. Manufactured in Germany by TELDEC Record Service GmbH.

Paulinho Da Costa appears courtesy of Pablo Records.

Publishers by track:
A1) Ⓒ1988 Silver Sun Music / Warner Bros. Music, ASCAP
A2) Ⓒ1988 Creative Entertainment Music / Bullsongs, BMI / Melaimee Music, ASCAP
A3) Ⓒ1988 All Baker's Music / Alexscar Music, BMI / Eyedot Music, ASCAP
A4) Ⓒ1988 Morning Crew Music, Inc. / Virgin Songs, Inc., BMI
B1) Ⓒ1988 Hobo Railways Music Publishing Ltd. / Maggie Ryder Music, PRS
B2) Ⓒ1988 Jadel Publishing Inc. dba Cuddy Sounds, ASCAP / All Baker's Music, BMI
B3) Ⓒ1988 O'Hara Music / Texascity Music, Inc., BMI / Avid One Music, ASCAP / Lil Mama Music / Music Corporation of America, BMI
B4) Ⓒ1988 Good Single / Rondor Music / Myake / Warner Chappell Music / Quince, BMI

The album has a color printed inner sleeve with all the sung-texts, artists line-up and credits-list.
Barcode und andere Identifikationsmerkmale

Barcode (Text): 0 7559-60827-1 6
Barcode (Scanned): 075596082716
Label Code: LC 0192
Matrix / Runout (Runout Side A [Stamped]): R/S Alsdorf 960827-1-A2
Matrix / Runout (Runout Side B [Stamped]): R/S Alsdorf 960827-1-B2
Rights Society: GEMA / BIEM
Other (Distribution Code): France: WE 381
Other (Suffix catalog#): Ⓤ
Other (Alternate catalog# for the UK): UK: EKT 49

Код класса состояния винила: Very Good (VG)
Устройство воспроизведения: Gründig PS 4500
Предварительный усилитель: "Marantz"
Программа-оцифровщик: WaveLab
Обработка: устранение кликов и регулировка уровня громкости программой iZotope RX3,
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