Бывший офицер ВВС США Дэвид Груш: "Пришельцы (бесы) выглядят как древнегреческие боги. Они - инопланетяне очень красивые, с голубовато-белой бледной кожей, почти альбиносы. Однако есть не только похожие на богов пришельцы. Существуют и те, которых называют рептилоидами: они выше двух метров, по телосложению напоминают горилл, а их кожа покрыта чешуей. Этот вид раньше управлял НЛО, которое совершило посадку на территории США."
Груш также рассказал, что один из рептилоидов атаковал землянина. В ответ американцы открыли огонь по пришельцу... Короче, фсех поубивали... Теперь мы одни во вселенной
Forbes — Россия обходит санкции через производителей секс-игрушек. Китайская компания, которая выпускает "умные" секс-игрушки, поставляла в РФ микросхемы и электродвигатели, которые могут использоваться в военной промышленности.
Вот бы ещё Зеленскому прилетел двухметровый резиновый х@р с боеголовкой кило в двести…
Бывший премьер британии Борис Джонсон заявил, что считает "отвратительным" решение Вашингтона ослабить санкции против российского топлива. Спасибо за ваше абсолютно бесполезное мнение, Джонсон. Можете колонку для Дэйли Мэйл написать, которая будет находиться между новостями спорта и рекламой нового средства от импотенции.
Обмудок в истерике названиевает своим европейским пидор@сам, как будто они что-то могут сделать. Я понимаю, что у Дональда через неделю Бубочка снова может стать хорошим, но сегодняшний наждак получился очень знатным. Зарево от анальной детонации по всему Хохлостану.
Радоваться особо нечему - Трампу всего лишь нужен был жирный аргумент к выборам в Конгресс.
Зеленский — uкраина проведёт выборы, если Россия согласится на 60-дневное перемирие. Снова тухлую рыбу достали и пытаются продать, как свежую.
Игра слов в названии этого диска прозрачна, как "Русский Стандарт": а) вокалистов трое; б) аккомпанирует им ритм-секция группы Стиви Рэя Воэна Double Trouble. Казалось бы, чего желать еще. Все трое - люди хоть и не совсем звездные, но при этом вполне заслуженные (харпист, гитарист и певец Холл работал много с кем и даже пел у Джеффа Бека на диске Flash, Джонс тоже из ветеранов, а Кастро который год не выходит из разряда "новых надежд блюза"), материал приличный (отметим небанальную кавер-версию битловской Help!), сыграно все гладко и даже с некоторым задором. В общем, среднестатистический блюз сегодняшнего дня. Но та самая игра слов в названии почему-то не дает покоя. Потому что не тянут эти парни даже втроем на одного Стиви Рэя. Они б и хотели, да нету в них столько страсти и такого нерва, как был у него. Так что остается им делать хорошую мину – при такой вот неуклюжей и неловкой игре. Артем Липатов, blues.ru
Remember the high school parties when you would bring a stack off 45s and take turns showin1 off the newest off your records? We'd walk into friends' houses carrying record cases filled with three-minute doses off soul and rock & roll. Telarc had just that in mind when it invited Tommy Castro, Lloyd Jones, and Jimmy Hall to a studio party. The rules were simple: just bring your ax, a stack off your favorites, and producer Randy Labbe would supply the rest. What no one ever expected was how effortlessly these musicians would mesh together. Tommy Castro came to the party play in' his high powered, "let's party" guitar, bathed in modernistic leather pants. Lloyd Jones brought a finger-snappin' guitar approach dressed in a stylish coat and tie. Jimmy Hall, formerly a mainstay in the R&B-influenced southern rock band Wet Willie, added his blue-eyed soul vocals, a blues rock-influenced harmonica and growling tenor. This is a joyous celebration of the soul music and blues that have been at the core off each performer's musical life-direction. That sweet soul foundation is steeped in pure, unadulterated reverence. Though Castro, Jones, and Hall handle all the vocals, guitars, harp and horn, the supporting musicians, Reese Wynans, Tommy Shannon, and Chris Layton, aka Double Trouble, are an all-star lineup with their own deep roots in this traditional musical genre. Years ago, Sun Records experimented with blue-eyed soul, blues, R&B, and country 'tonk. As the years passed, each style developed independently of the other. This is an effort to bring these styles back to the studio and mix them up again making a fresh music that recalls yesterday and yet has the inventive spirit and boldness of today. Each song is a reminder of how important this gripping music was to us all in the past. When Tommy Castro learned that Double Trouble would be the rhythm section, he chose the Johnny Winter chestnut "Be Careful With a Fool" because Shannon was Winter's original bassist on this song long ago. Castro's piercing blues guitar blasts with red hot heat as it darts in and out of the lyrics. When he calls in Hall's dirty harp, the highly charged tension and release show off stripped down, early winter blues rock at its best. Ever wonder what a classic Beatles song turned upside down would sound like? Wait until you hear Lloyd Jones' startling recreation off the Lennon-McCartney classic, "Help." Instead of buckling under a sound-alike, Jones drives the song into uncharted waters with inspirational class. Mixed in this stew are some spicy R&B morsels like James Brown's kinetic "Good Lovin'." The guitar work is lean and penetrating with Hall's tenor sax squawking on this tour de force piece off nostalgia. The joy one hears in these three voices together on the chorus comes across like three adolescent soul brothers drivin' the car on the strip and blastin' the Godfather off Soul on the radio. Amid these few covers, each musician wrote songs to suit the approach of the recording. The originals display how accurately each knows his genre. The soul-styled songs "Love Will," "Midnight to Daylight," and "If That Ain't Love" were written by Jimmy Hall. Lloyd Jones brought along the more roadhouse rocker "Sometimes" and the song "Raised in the Country." Which left Tommy Castro the task of bringing a song to show off a funky Philly soul strut on "Whole Lotta Soul." Songs like "Raised in the Country" accent the good times this trio had in these sessions. From Layton s gentle shuffle to Jones' fluid blue-picked guitar to the vocal egging-on by Castro and Hall, it's not hard to visualize the fun they had during the recording session. The late-night, deep blue soul on Jimmy Hall's gem "Midnight to Daylight" perfectly recreates that nostalgic last dance just before the house lights had to be turned on. It jogs your memory and recalls vivid pictures of couples slowly gyrating wrapped in each other's arms. Hall's sexy tenor solo only strengthens the memories of times long for¬gotten. Hall's other soul sparkler is the funkified "Love Will." At the end of the session, a jam session was in order. For fifteen minutes, Shannon and Layton laid out a chest thumpin', funky groove. Jimmy Hall started improvising the words, Jones began to jam over the groove, and "Cold Funk" was born. The tape on that conversation could have run all night. (Art Tipaldi - Senior Writer for Blues Revue and author of Children of the Blues)
With billing divided equally between three midlevel headliners, Triple Trouble simmers without ever quite catching fire. Despite backing from the former Stevie Ray Vaughan rhythm section and a clever gospel rearrangement of the Beatles classic "Help," performances tend to drag. No one seems to work up much of a sweat, and guitar solos add up to strings of ancient cliches, absent the intensity they once conveyed. Perhaps if Reese Wynans' organ had been mixed higher, some churchy element might have pepped things up; as it is, bassist Tommy Shannon and drummer Chris Layton come through loud, clear, and listless. A feeling persists throughout this album that if this group had delivered this set before a rowdy crowd in some beery backwoods dive, results would have been far more persuasive. As it is, Triple Trouble is hardly trouble at all.
Used drive : PIONEER DVD-RW DVR-219L Adapter: 1 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track
Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Install\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
Исполнитель:
Tommy Castro, Jimmy Hall, Lloyd Jones
Альбом:
Triple Trouble: Wanted $ 10,000.000
Год издания:
2003
Страна исполнителя:
US
Издатель (лейбл):
Telarc - CD-83585 Format: CD, Album, Digipack Country: US Released: 2003
Продолжительность:
00:52:24
Формат:
flac
Параметры:
tracks + .cue + artwork
Источник:
Audio CD из коллекции pazanenok
Треклист:
01. Sometimes (2:18) 02. If That Ain't Love (4:39) 03. Be Careful With A Fool (6:46) 04. Love Will (4:23) 05. Help! (4:04) 06. Whole Lotta Soul (6:49) 07. Good Good Lovin' (2:43) 08. Raised In The Country (6:07) 09. Mammer Jammer (5:34) 10. Midnight To Daylight (4:46) 11. Cold Funk (4:16)
Vocals – Jimmy Hall, Lloyd Jones, Tommy Castro Lead Guitar – Lloyd Jones, Tommy Castro Rhythm Guitar – Lloyd Jones, Tommy Castro Harmonica, Tenor Saxophone – Jimmy Hall
Double Trouble (SRV's rhythm section): Bass – Tommy Shannon Drums – Chris Layton Organ [B-3] – Reese Wynans
Photography – Tiffany Teske Art Direction – Anilda Carrasquillo Design – Anilda Carrasquillo Supervised By [Production Supervisor] – Elaine Martone Mastered By – Lincoln Clapp Mixed By – Lincoln Clapp Recorded By – Lincoln Clapp Recorded By [Additional Recordings] – Dave Matthews Producer [Assistant] – Bess Berg, Peter Haase Executive-Producer – Robert Woods Producer – Randy Labbe
ruchitel
спасибо
помним и любим