Сайя Манду разговаривает с голосами из Москвы. Алё, санитары? Сутулой лесбиянке нужна срочная помощь! Всё-таки осень на дворе, сезонное обострение, по всей видимости...
Вот и я про то же - в Инете музыкального хлама горы, оно нам надо? (судя по количеству "спасиб" на эти публикации - не нужно никому).
Или создать отдельный раздел для подобных AI-поделок, и тогда кому надо - будут их смотреть, а для остальных это просто шлак, захламляющий основную страницу.
Обычно после того, как заметил слово "Remix" в описании, то ничего хорошего уже не жду. Но в данном случае был приятно разочарован. Неплохо, неплохо.. Даже хорошо.
Возможно, это первый музыкально незаменимый альбом, который Hubert Sumlin записал с тех пор, как Howlin' Wolf умер около 23-х лет назад. Это не значит, что он не выпустил несколько хороших альбомов до этого, просто "I Know You" обладает определенной степенью настойчивости в сочетании с замечательной легкостью, что делает его настоящим наслаждением. В результате получилась пластинка, которая очень выгодно отличается от записей Wolf London Sessions, как смесь старого и нового. Sumlin никогда не будет звучать как Wolf-певец, но он не может не звучать как Wolf во всем остальном, поскольку практически в каждой записи после 1954 года это была гитара Вольфа; но он делает все возможное с ограниченным голосом и горячей гитарой, чтобы создать превосходный электрический блюз. Идея продюсера Joe Harley заключалась в том, чтобы записать как можно больше материала. Цель состояла не столько в том, чтобы воспроизвести "старый звук", сколько в том, чтобы создать комфортную атмосферу, в которой Hubert мог бы свободно создавать то, что он хотел, в интимной, знакомой обстановке, которая передала бы дух захватывающих записей Chess начала 1950-х годов. Hubert расслабился и лента покатилась.
С ним играют Sam Lay (ударные) и Carrie Bell (гармоника), Jimmy D. Lane на второй гитаре и David Krull на фортепиано и органе. Отдает ли он признание Elmore James, Jimmy Reed или John Lee Hooker или исполняет трибьют самого Wolf ("How Many More Years", в убийственной интерпретации), Sumlin звучит так, будто получает огромное удовольствие, играя на своем инструменте. Он даже демонстрирует удивительно сильное вокальное и гитарное исполнение знакомой пьесы приглушенного блюза "That's Why I'm Gonna Leave You". Здесь есть небольшая заминка, Sumlin не очень хорошо справляется, вступая на территорию John Lee Hooker; но в целом "I Know You" - это пластинка, которая должна понравиться любому поклоннику Wolf или Sumlin (или, если на то пошло, James или Reed) с двумя треками, "I'm Not Your Clown" и "Smokestack" (угадайте, чья песня), незаменимыми для поклонников горячей блюзовой гитары. Review by Bruce Eder и из буклета
The title and cover shot will give you an indication of how comfortable Hubert Sumlin was with this session. I Know You might easily refer to the fact that Hubert's surrounded by old friends like drummer Sam Lay, and Carey Bell (who drove all night to get to the Chicago session from the East Coast) and reliable backup personnel like guitarist Jimmy D. Lane, son of his old friend Jimmy Rogers, and members of Rogers' rhythm section. And it suggests very well the easy-natured, warm and welcoming quality that Hubert is blessed with. It's easy to imagine him speaking those very words, "I know you," both to his old session mates and new faces alike — to anyone, in fact, who he felt was an old friend, or a potential one. You know him, too. That's Hubert playing the hair-raising first guitar licks behind Howlin' Wolf on the indelible Chess classics "Shake For Me" and "Killin' Floor." He's the one with the satisfied smile of a happy man, the inviting, boyish grin that you remember from the old photos in blues books and magazines. He's the shy, loyal sideman from Greenwood, Mississippi, who Wolf and Muddy nearly came to blows over, who women swooned over, whose brilliantly inventive guitar work inspired scores of famous guitarists. He's the one Eric Clapton, in a gesture from a man at a loss as to how to repay his gratitude, let choose from among his vast guitar collection. And after listening to this recording, you'll know Hubert even better. It's sometimes the nature of great artists that they are astounded by their success and are simply unable to tell you how they create what they do and how they learned to do what they do so well. They are rarely analytical about the process: They may not have even considered such matters. This is the case with Hubert Sumlin, who is forever surprised by the interest people show in him and who exhibits a nonchalance for the trappings of success as well an amazement for how he might have arrived. This was Hubert's session. And he couldn't believe it. He was pleased, even with all that he has achieved at his age — as pleased and amazed as he was at the age of 23 when in 1954 he was called to take the Illinois Central train to Chicago by the great Howlin' Wolf to come up and become the guitarist in his now-historic band. Producer Joe Harley's idea was to record as much material as possible ... all live to two track. The purpose was not so much to reproduce an "old sound" but to establish a comfortable atmosphere in which Hubert would feel free to create what he wanted to in an intimate, familiar setting that captured the spirit of the exciting Chess recordings of the early 1950s. Hubert relaxed and the tape rolled. The results are as familiar as they are surprising. He takes "Howlin' For My Darlin," "Smokestack Lightnin' " and "How Many More Years" from the Wolf canon and reinterprets them, effortlessly playing with his own instantly recognizable guitar hooks. And on the near-whispered, John Lee Hooker-ish solo number, "Don't Judge a Book," he conjures up his nascent years, painting an impression of one of his earliest songs. On original numbers like the Elmore James-ian "I'm Coming Home," the Jimmy Reed-like "I'm Not Your Clown" and such musically familiar tracks as "That's Why I'm Gonna Leave You," "Mind is Rambling" and "I Got it Where I Want it," themes from his past are reworked with new lyrics, some of them free-associated, like a beat poet juxtaposing found imagery with fragments of personal experience. Hubert's work serves as a reminder that there are fewer and fewer blues musicians of a certain age who are able to improvise a lyric on the fly in the manner of John Lee Hooker or Lightnin' Hopkins, ruminating aloud from memory, pouring out words from an unloosed psyche with total disregard for what may be revealed, creating rustic blues poetry from the raw material of the subconscious. And through it all, his able sidemen follow him and provide impeccable support, because they know him, too. You'll find that as you give I Know You a spin, you can't help but get to know Hubert even better. I know you will. — Justin O'Brien
EAC extraction logfile from 13. October 2022, 18:25
Hubert Sumlin / I Know You
Used drive : Optiarc DVD RW AD-7283S Adapter: 1 ID: 2
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track
Used output format : User Defined Encoder Selected bitrate : 128 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
Издатель (лейбл):
APO Records - APO 2004, Format: CD, Album Country: US Released: 1998
Продолжительность:
00:56:48
Формат:
flac
Параметры:
tracks + .cue + artwork
Источник:
Audio CD
Треклист:
01. I'm Coming Home (4:01) 02. Howlin' For My Darling (3:48) 03. That's Why I'm Gonna Leave You (8:33) 04. How Many More Years (4:03) 05. Don't Judge A Book By The Cover (3:30) 06. I Got It Where I Want It (5:54) 07. I'm Not Your Clown (4:06) 08. 'Smokestack' (4:40) 09. I've Been Hurt (7:19) 10. Mind Is Rambling (3:23) 11. You My Best (3:05) 12. Good Bye (4:26)
Guitar – Hubert Sumlin, Jimmy D. Lane Vocals – Hubert Sumlin Bass – Freddie Crawford Harmonica – Carey Bell Drums – Sam Lay Piano – David Krull Organ – David Krull Written-By – Hubert Sumlin (tracks: Except as noted) Liner Notes – Justin O'Brien Photography By – James Fraher Design – Julie Hess Engineer – Dennis Tousana Executive Producer – Chad Kassem Mastered By – Kevin Gray Producer – Joe Harley Recorded By – Michael C. Ross Recorded at Chicago Recording Company, Chicago, IL, on October 12 & 13, 1997
Алё, санитары? Сутулой лесбиянке нужна срочная помощь!
На здоровье!!! 
ded_pixto
Thank you so much nnnn71.