Сайя Манду разговаривает с голосами из Москвы. Алё, санитары? Сутулой лесбиянке нужна срочная помощь! Всё-таки осень на дворе, сезонное обострение, по всей видимости...
Вот и я про то же - в Инете музыкального хлама горы, оно нам надо? (судя по количеству "спасиб" на эти публикации - не нужно никому).
Или создать отдельный раздел для подобных AI-поделок, и тогда кому надо - будут их смотреть, а для остальных это просто шлак, захламляющий основную страницу.
Обычно после того, как заметил слово "Remix" в описании, то ничего хорошего уже не жду. Но в данном случае был приятно разочарован. Неплохо, неплохо.. Даже хорошо.
Есть у Tinsley Ellis талисман. В юности был он на концерте B. B. King. И посчастливилось ему сидеть в первом ряду. И вот, вдруг, внезапно... В общем, у Маэстро оборвалась струна! Ну, по словам очевидцев, B. B заменил струну не пропустив ни одного такта, (Сменщики колёс на гонках Формулы 1 просто жалкие копуши. Гнать этих ленивцев надо) а обрывок задарил юнцу из первого ряда. Так и лежит струна у Tinsley Ellis дома. Известие о пандемии застало Tinsley вдали от дома - во время обширного тура из 60-ти концертов. Он тогда был в Неваде. Ellis рванул домой, в Джорджию, ибо талисман далеко, а ковид - вот он! Рядышком. Преодолев почти 4000 км, он добрался, таки, до Атланты, где заперся дома, рядом с чудодейственным обрывком и засел за написание новых песен.
200! Двести! Двести песен он написал за 18 месяцев затворничества. Работал с 7 утра и до обеда, меняя гитары и слайды. Потом отобрал десяток наиболее приличных (по его мнению) песенок, созвонился с продюсером Kevin McKendree и договорился о записи. Того долго уламывать было не надо и работа закипела. Steve Mackey и Lynn Williams составили ритм-секцию басом и барабанами соответственно, Jim Hoke и Andrew Carney выступили горнистами, ну а Kevin не отказался поиграть на клавишных, ибо делал это ранее не только у Tinsley, но и многих других: Buddy Guy, Watermelon Slim, Quinn Sullivan... А! Самому Ellis доверили быть гитаристом и запевалой. В общем, работа закипела, и увенчалась выходом вот этого вот диска. Ну, как вы уже поняли, друзья, все песни - оригиналы. Все десять. А что касаемо стиля, то это, конечно же, блюз-рок и южный рок. Фанк и свинг здесь тоже присутствуют, ибо без них будет скучно. Ну что? Поехали! Или полетели... Судя по обложке... Жмём плей! Николай Давыдов, vk.com/club158793188
Кстати, funny horse получил этот диск с Alligator Records с автографом Tinsley Ellis; соответвующий буклет прилагается, Front_2.
Blues/rock titan Tinsley Ellis digs deeper into himself and his inspirations than ever before on his new Alligator Records release Devil May Care. Set to drop on January 21st, 2022, the album is a result of Ellis’ mandatory pandemic lockdown period, a time when his coping mechanism was to push himself to grow as a songwriter. He set up all of his gear, including amps and guitars that had been idle for quite some time, in his home studio and let different combinations of tones lead him in new directions. He also explored the far-reaches of his record collection to find obscure, powerful sounds by his favorite artists including The Allman Brothers Band, Freddie King, Michael Bloomfield, and B.B. King. By the time Ellis came up for a breath, he had written an astonishing 200 new songs. Ten of these new tracks make up Devil May Care and take Tinsley’s unique blend of hard blues and Southern Rock to unprecedented heights. Devil May Care is Ellis’ 20th album as a leader since he began his solo career back in 1988. He is widely known as a ferocious live performer on both guitar and vocals, one who can articulate the intersection of blues and rock in a righteous, original way. He’s toured the world and elsewhere, shared stages with luminaries like Stevie Ray Vaughan, Otis Rush, Willie Dixon, Leon Russell, Son Seals, Koko Taylor, and Albert Collins, made #1 on the Billboard Blues Chart, and has been recognized with multiple Blues Music Award nominations. He’s long been considered one of the leading proponents of contemporary blues music and has become one of the most popular artists in the genre. Devil May Care opens with a “One Less Reason,” a blast of sweet, Southern Rock two-guitar tactics laid down over a shuffling blues groove. It’s a tip of the hat to the Allman Brothers’ sound that never results in mimicry, only respect. Ellis uses the Allman framework to build a house for the core intangibles of his own style that shine brightly to anyone who has followed current blues artists over the last few decades. He’s one of the few left with an audible mode of his own and you’ll know it’s him as soon as you hear it. That’s what makes him great. Slide guitar fans will get way into the rocking and hypnotic “Right Down The Drain.” The track is Southern Rock done to perfection, based in blues bedrock and infused with a stony, good-time vibe that turns it into something else. Ellis’ slide work and vocals are absolutely fired up and complemented by his paint-tight band of Kevin McKendree (organ and piano), Steve Mackey (bass), and Lynn Williams (drums and percussion). McKendree also co-produced Devil May Care with Ellis and the two men show themselves to be a high-powered studio brain trust, especially on knock-out punches like this one. “Juju” smokes and simmers, full of more expressive slide playing, bold vocals, and fine keyboard work. This type of material is a great sound for Ellis, as it allows him to bring all of his inspirations to the party at the same time and play with complete freedom. As always, his guitar tones are sinewy and thick. Ellis has always had one of the best guitar sounds in the game and listening to him continue that tradition is a wonderful thing. Other outstanding selections on Devil May Care include the heartbreaking rock ballad “Don’t Bury Our Love,” the horn-enhanced funk of “Step Up,” and the slow and emotional Texas blues of “Slow Train To Hell.” Through it all, Ellis exhibits true stylistic mastery and the kind of songwriting ability that will keep American music alive and interesting for lifetimes yet to come. Highly recommended.
EAC extraction logfile from 19. January 2022, 22:48
Tinsley Ellis / Devil May Care
Used drive : Optiarc DVD RW AD-7240S Adapter: 1 ID: 0
Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No
Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder Selected bitrate : 896 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
Filename D:\My Music Archive_D\__My Rips\Tinsley Ellis - Devil May Care\Tinsley Ellis - Devil May Care.wav
Peak level 94.6 % Extraction speed 3.8 X Range quality 100.0 % Test CRC 86E0CEA2 Copy CRC 86E0CEA2 Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database Track 2 not present in database Track 3 not present in database Track 4 not present in database Track 5 not present in database Track 6 not present in database Track 7 not present in database Track 8 not present in database Track 9 not present in database Track 10 not present in database
None of the tracks are present in the AccurateRip database
Издатель (лейбл):
Alligator Records - ALCD 5008 Format: CD, Album Country: US Released: 2022
Продолжительность:
00:48:21
Формат:
flac
Параметры:
image+.cue + artwork
Источник:
funny horse
Треклист:
01. One Less Reason (5:09) 02. Right Down The Drain (5:00) 03. Just Like Rain (4:30) 04. Beat The Devil (3:50) 05. Don't Bury Our Love (5:19) 06. Juju (5:02) 07. Step Up (4:05) 08. One Last Ride (6:11) 09. 28 Days (4:00) 10. Slow Train To Hell (5:15)
Guitar, Vocals, Producer – Tinsley Ellis Bass – Steve Mackey Drums, Percussion – Lynn Williams Organ, Piano, Producer – Kevin McKendree with Jim Hoke, Sax and Andrew Carney, Trumpet on Just Like Rain, Beat The Devil and Step Up Cover art by Steve Johannsen Packaging design by Kevin Niemiec Assistant Engineer: Yates NIcKendree Mastered by Jim Demain at Yes Master Studios, Nashville, TN Recorded and mixed by Kevin McKendree at The Rock House, Franklin, TN Produced by Tinsley Ellis and Kevin McKendree
Сайя Манду разговаривает с голосами из Москвы.
Алё, санитары? Сутулой лесбиянке нужна срочная помощь! Всё-таки осень на дворе, сезонное обострение, по всей видимости...